April 2022: Second Winter

Hey folks,

Apart from a brief burst of sunny weather a couple of weeks ago, we seem to have been stuck in winter’s grip all through April and I’m beginning to get entirely sick of it – give me sunshine and warm temperatures! I want to wear shorts, feel self-conscious about my knees and complain about the heat (because I am British, after all..!)

The Usual

It’s been a quietly productive month on the scriptwriting front – the first draft of the first chapter of CYBERCLIMBERS (which I’m working on with the delightful Rosie Packwood) is written and met with her approval, so hopefully our editors will like it too. We also got a sneaky peek at the anthology our first collaboration is appearing in, and I can say with certainty that we’re in fantastic company – some excellent artwork in there!

The next thing on my list is to finish polishing up the scripts for Brigantia #4-#6 so Alaire can start on those later in the year. Progress is slow but steady on issue #3 – at this point I’m absolutely wracked with guilt about the wait our KS backers have endured on an almost daily basis, even though it’s largely out of my hands… I’m doing my best not to let it sour my feelings towards getting the second half of the story done!

I should also probably take the plunge and try to find an artist for the sci-fi story, but given the low ebb my self-confidence is at for this stuff, it’s difficult to think about. The Kieron Gillen joke about writers being parasites was obviously meant in good humour, but I’ve definitely internalised it – I rarely feel like artists would be excited to work with me, and it makes it very hard to try and pitch stories to people. I need to suck it up and get over myself, basically!! 😤

The Record

-11 pages written (for CYBERCLIMBERS)
-12 pages lettered (for The Phoenix)

Please enjoy this message I sent to Rosie about CYBERCLIMBERS, which encapsulates just how on the nose we intend to be:

What’s the point of a fun cyberpunk manga story about climbing if you can’t also make it about class warfare, huh??

The Tunes

It’s a big ol’ mishmash of new and old this month – some of my perennial classics that have come back into rotation for various reasons along with some new stuff. Let’s crack in:

First up is a band that I struggle to categorise, Wolfhand – essentially “Wild West doom”? This album is fantastic though, definitely worth a listen if you like BIG ATMOSPHERES. Next up is a cut from the new Carpenter Brut album, which oozes a different (more synthetic) kind of atmosphere and has some great collab appearances – like Norwegian post-BM titans Ulver on this track. After that we’re going more lo-fi with Japanese riot grrl punk from Otoboke Beaver – my punk-loving friend Helen recommended this band to me and I’m very glad she did! After that we have band who are impossible to do a Google search for, ΛΔΛΜ – this was a Spotify discovery and it’s great, but I can’t find anything else out about them. Nice, chilled track though! That leads us into a couple of oldies – Lower Norfair by my favourite videogame metal covers band Metroid Metal, which was part of my playlist for a 10K I ran last weekend (and therefore partly responsible for me managing an impressive 50:33 personal best!), followed by Amon Amarth. I came out of the Northman with this song blasting in my head so I had to include it! A trio of new tracks from old faves up next – the new Ghost album isn’t as good as their previous release for me, but it has some catchy ones, and the chorus of this track has been running around my head recently. Nick (my fellow guitarist in Ba’al) was the one who mentioned that the new Korn album is actually surprisingly enjoyable, so I gave it a go, and… he’s right, it’s decent (and nowhere near as embarrassingly painful as that new Limp Bizkit album…) I’m a fairly casual Meshuggah fan, in that I like some of their stuff but don’t think they’re messianic beings like some people seem to, but I enjoyed this track off their newest release. I have no intention of trying to understand how complex the riffs are – I’ll just nod along and enjoy the vibe! Lastly, some atmospheric black metal from Sylvaine to close us out – an easy way to make me like your band is to name a song Mono no Aware, after the Japanese concept of impermanence and transience of life. It helps that they also know how to craft big atmospheres!

The Links

Just the one link for you this month, but I want to talk about it a little bit. Have a read: https://www.inverse.com/entertainment/the-northman-explained-valhalla-valkyries-viking-lore

Some mild spoilers for The Northman abound below (although tbh, if you’ve read Hamlet you’ll know the story already..!)

I really enjoyed The Northman when I went to see it earlier this month – I’m a big fan of Robert Eggers’ previous work (The Witch and The Lighthouse are both fantastic movies) and while this movie is less overtly weird, it’s got plenty of visual stylishness and a muscular, powerful feeling that suits the “roaring rampage of revenge” narrative. The article above was an interesting read for me because of the way that Eggers, Sjón and their collaborators like Neil Price approached the idea of authenticity – there are some things that we can draw from the historical and archaeological record (Viking longships, brooches, etc) and some things that we can really only guess at (the thoughts and feelings of a Viking living in a world suffused with divinity and magic). What’s important is to take what we do know and weave it together with educated guesswork to serve the story you’re trying to tell – like the Tree of Kings in the movie, which is drawn from a real tapestry. The meaning of the tapestry is unknown, but as a symbol of fate it’s a throughline for the whole story.

I’ve also seen some commentary around how the white supremacists love The Northman (unsurprising, given the number of brainless right-wing morons who latch onto Viking runes and imagery), and criticism of Eggers for not doing more to dissuade them. My starting point for that debate is: neo-Nazis latched onto My Little Pony, seemingly the most innocent cartoon anyone could possibly make. They desperately try to claim any kind of cultural property and poison it for others. Eggers could certainly have tried to cast more diversely (it’s a myth that the Viking world was entirely white, after all) but I’ve no doubt that even if he had, the Nazis would have found a way to lay claim to it regardless – they spent most of the 20th century perverting ancient symbols which had existed for a thousand years before modern fascism cropped up. Maybe we should just… stop letting them do that?

That aside, anyone who watches the movie and thinks “hell yeah, so badass” is drastically missing the point – it’s a tragedy wherein the protagonist loses his entire family to murderous treachery, spends his life miserable and thirsting for revenge, is poised to start a new life then throws that away for the sake of vengeance. It’s not supposed to be aspirational!

That’s all for this month- take care, everyone!

All the best,
Chris

March 31, 2022

March 2022: Cresting the Wave

Hey folks,

It’s going to be a short one this month – I once again lost track of the days, and there’s been a lot of LIFE happening which has made it hard to find time for anything more involved. Let’s get to it!

The Record

– 9 pages written for CYBERCLIMBERS (with Rosie Packwood)
– 9 pages lettered (4 for Big Hype, 4 for The Phoenix)

Not the most productive month on the comics side, and I need to make some more substantial progress on the to-do list, but there’s a good reason for that – I spent a large chunk of the month filming/editing/preparing video content for BA’AL (the atmospheric post-black metal band I joined last year) in order to get our YouTube channel up and running. I really love doing this kind of video stuff because of the problem-solving aspect of it (how can I make this look the way it does in my head?) Anyway, you can see some of the fruits of that labour here (including my face getting technical about my amp/pedal setup): https://youtube.com/channel/UCcUf3618RTXw_eN92Y5X7yw

There’s plenty more to come, so hit the subscribe button if you’re interested!

Oh, and the CYBERCLIMBERS pitch I mentioned in last month’s update got accepted (whee!) – so I’ve broken ground on scripting the first chapter for that. We’re aiming for a fun sports/tournament manga with a strong anti-capitalist message, let’s hope we can pull that off!

The Tunes

This month’s playlist starts off lighter and transitions to heavier, hopefully in what feels like a natural progression! First up is Kyosuke Himuro – but if you’re a nerd like me you might know it better as the song that plays over the end credits of FFVII: Advent Children. We had some bright and summery weather last week and this kept popping into mind! Next up is the phenomenal CHVRCHES – I got to see them live for the first time this month and it was a truly soul-enriching experience. Very weird being in an audience full of non-metalheads though..! Sleater-Kinney are one of my favourites and have graced this playlist before – this track in particular really captures the tired/wired vibes of life at the moment. Sea Power are new to me, but this new album was a great discovery and this is a stand-out track. Black Hill are another Spotify discovery, and I enjoyed the relaxed atmospheric vibes of this – very foresty. Next we’re starting to move into metal territory with Khemmis – great vocals and tight riffs. After that is another track from Matt Heafy’s atmospheric black metal project Ibaraki, and this might be my favourite so far – featuring Gerard Way of all people on harsh vocals! Never thought I’d hear him on a black metal track, but it absolutely works. Conjurer are making waves in the UK scene – I was introduced to them by the Ba’al guys, and this new track is a banger. Like probably many of you, I absolutely loved The Batman when I saw it this month – it’s a visually stunning and immersive movie, and the soundtrack is perfect. I had to commemorate it here, but with a twist – this version of Something in the Way is covered by the fantastic Litany for the Whale, featuring my boy Michael W Conrad (of Tremor Dose/Double Walker/Wonder Woman fame) on vocals, and it’s an immense, intense, monolithic interpretation of the track. Finally, closing the list out, we have the pagan folk vibes of Wolves in the Throne Room as a nod to the approaching spring.

The Links

Only one link this month – it’s always nice when something you loved when you were younger turns out to hold up well to modern scrutiny, right? Please enjoy this analysis of the movie Wayne’s World (one of the foundational texts of my personality) and in particular it’s treatment of female characters: https://thequietus.com/articles/31255-film-waynes-world-cassandra-tia-carrere-anniversary

And that’s all for this month – stay safe and thanks for reading!

All the best,
Chris

February 28, 2022

February 2022: Sneak Attack!

Hey folks,

Once again, the last day of February has snuck up on me – on the one hand, I appreciate a shorter month after the never-ending hellscape that is January, but on the other it’s hard to process that we’re already getting into March and the years keep coming (and they don’t stop coming)..!

The Usual

Unless you’ve been living under a rock for the past week or two (and if you have, you’re probably not reading this), you’ll have seen the global news – specifically Russia’s invasion of Ukraine. It’s an atrocious situation and seems to have really taxed the ability of some people to hold multiple thoughts in their head at once – for example, it’s possible to support the Ukrainian people in standing up against a violent, imperalist oppressor whilst also acknowledging that our government has been horrendously complicit in empowering and enabling that oppressor. On top of that, I’ve seen some truly clown-makeup takes from people suggesting that this conflict is worse predominantly because most Ukrainians are white and “look like us”… as though the suffering of black and brown people in the middle East and elsewhere in the world is a tragic but essentially inevitable thing, but white people aren’t supposed to fear for their lives.

I don’t really have anything useful or insightful to add to the conversation, beyond this: Putin is a complete fucking dickhead who’s been coddled and enabled by a massive string of bedroom fascists across the Western world, and the Ukrainian people deserve to make their own choices. Let’s all hope things cool down before too long!

The Record

Pitch document for CYBERCLIMBERS (with Rosie Packwood) assembled
12 pages lettered (8 for The Phoenix, 4 for Big Hype)
1 anthology rejection (wheee)

Took a break from actually scripting pages this month – partly because I’ve spent A LOT of time at band practice (my folk/metal ceilidh band POWERHOUSE had a big show at the “Inter Varsity Folk Dance Festival” to prepare for, which we smashed a few days ago) and partly in favour of putting together a detailed pitch/synopsis for something Rosie and I are working on. Our collaboration for Big Hype (now called Jumpstart Comics) has been delightful, so when she put out a call on Twitter for writers to work with on a story idea that she’s had, I was keen to throw my hat in the ring. Fast forward a bit, and we’re pitching a chunky YA climbing tournament manga with a cyberpunk vibe and some very relevant politics! It’s been a lot of fun fleshing out this world with Rosie and I hope that folks enjoy it once it exists for real.

To get real for a moment: I struggle with rejection when it comes to my creative pursuits, because a lot of my self-worth comes from being a person who Makes Things and is creative. Obviously rejection is par for the course in comics because there are a lot of people trying to eat a relatively small pie, but anthology rejections in particular hit me quite hard – especially when I see friends excitedly tweeting about how they got in. Intellectually, I know I should be happy for them and supportive, but it’s very hard for me to slide over to that from the negativity of being turned down. That isn’t a fault of anyone else’s – it’s entirely on me and my fucked up brain – but it’s something I’m doing my best to work on.

(Here’s a quick pro tip, btw: don’t spend a whole day brooding about an anthology rejection then try to help your partner with the Crash Bandicoot remake – because that game is brutally hard, and being bad at videogames, a thing you’re supposed to be good at, is just going to give you a full-on panic attack!)

Anyway, the HOCKEYTOWN pitch went off to one interested editor earlier this month and got a very enthusiastic response back – it’s apparently going in front of the whole editorial team later this week so keep everything crossed for us..!

The Tunes

This month’s playlist is definitely weighted towards the heavier stuff – we kick things off with The Mist From The Mountains, who do big, atmospheric, melodic black metal. No “4-track demo recorded in a cave on a Fisher Price tape recorder” vibes here! Next up is a one-two punch of death metal – The Spirit mine a more cosmic vein (reminding me a little bit of Iotunn and Mithras) for their riffs, while Venom Prison and vocalist Larissa Stupar have gone for Greek myth on their newest album (which is excellent from start to finish). Next up is a little bit of gritty synthwave from Author & Punisher‘s new release, and that’s followed by a cut from the new Cult of Luna which I need to listen to a few more times – Mariner is still the pinnacle of their releases for me but this new record is very well put together. New Zeal & Ardor is up next – the new album is extremely listenable and there’s more snarl and bite to a bunch of the tracks, including this one. Try not to shriek “DEATH TO THE HOLY” at full volume for the chorus, I dare you! Following on from the Satanic vibes of Z&A is Twin Temple, with their Satanic doo-wop – if you haven’t heard this band before, prepare to enjoy, because they are very fun indeed. It’s been a good month for new music – I wasn’t expecting to get a new Florence + The Machine song, but here it is, and it’s amazing as usual! High As Hope from 2018 is one of my all-time favourite albums, so I’m excited for more from Florence. In the penultimate slot is a lush, relaxing piano piece from composer Phamie Gow – I tend to have ClassicFM on in the car (because when I can’t be bothered to pick something to listen to, classical is quite soothing) and spotted her name which led me to hunt down this album. Highly recommended. Lastly, in a nod to current events, the Ukrainian experimental & progressive black metal band White Ward close the playlist out with this track from a 2021 single which runs the gamut of their expansive sound.

The Links

Just two links from me this month – in today’s world, where corporate elites gorge themselves on wealth stolen from their workers, may I interest you in a suitably brutal horror comic that addresses precisely those kind of inequities?

https://www.kickstarter.com/projects/ianmondrick/tomb-of-the-black-horse-corporate-horror-and-brutal-revenge

Tomb of the Black Horse is the latest in a series by my good friends Ian Mondrick and Ben AE Filby, ably assisted by a host of excellent collaborators. It’s extremely worth your time!

Secondly, here’s a very interesting read about what’s happening right now and what it means: https://eand.co/the-west-was-a-sleeping-giant-and-putin-just-woke-it-up-485ee1adc984

That’s all for now – thanks for reading, and onwards into spring we go!

All the best,